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If it has just one HDMI input, you’ll need to choose whether to use it with your Ultra HD Blu-ray player, your media streamer, your gaming console, or your set-top box for example.Īnother method of syncing bias lights with your TV is to use your computer as a go-between, with the lights syncing with video on your PC or Mac that is then mirrored on your TV. It’s one of the more precise ways to sync bias lights with your TV picture, but it can also lead to compatibility issues with HDCP-protected video, and you might be limited by number of HDMI inputs your bias lights provide. Some of them connect via HDMI, essentially sitting between a video source and your TV. If you’re looking for an effect that makes your TV screen look like it’s extending onto the wall, consider a so-called “responsive” bias lighting system.īias lights that sync with your TV do so in a variety of ways. Some bias lights can sync with your display When shopping for a bias light, be sure to pick one that says it has a 6500K color temperature mode it’s the easiest way to help ensure that your bias light doesn’t throw off the colors on your screen. By using the 6500K standard, videographers and filmmakers can be reasonably sure that (for example) the particular hue of a yellow car in a scene looks the same shade of yellow on your TV as it does in their cameras and monitors. Why 6500K? Because that’s the color temperature that the video industry uses as their standard for what “white” looks like.
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If your bias light is too warm (think red), you’ll make the picture on your screen look cooler (more blue) than it should, and vice versa.Īsk any professional TV calibrator, and they’ll tell you that bias lights for TVs should be tuned to a color temperature of about 6500K (or, to be more precise, to the D65 color point), which can be roughly described as the color of daylight on a hazy day. But if your bias lights are red, yellow, blue, green, or some other color besides a precise shade of white, that’s exactly what you’re doing.
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If you care about seeing the same image on your screen that the creators of your favorite movies and TV shows intended, the last thing you want to do is distort the colors on the screen. But because bias lights don’t shine light directly on the screen, they don’t hide the details in the shadows.īrightness is only one factor when it comes to bias lighting color is another, and it’s crucial. By casting a pale halo behind the TV screen, bias lights can give you enough light around the picture to make dark or gray areas look darker than they would without the bias light. The beauty of bias lighting is that it gives us the best of both worlds. In the parlance of videophiles, this loss of detail in darker areas is called “black crush.” The problem with watching TV in a lit room is that the ambient light tends to rob dark areas in the picture of detail you’d probably see in a dimly lit or completely dark room. The same principle works when it comes to the colors on a TV screen: In a brightly lit room, the dark areas in a TV’s picture will appear darker than they do in a pitch-black room. In a nutshell, if you take the a single shade of gray, your eyes will see it as darker on a lighter background, and lighter on a dark background. Once you’ve set your bias lights to the correct brightness, they can improve the contrast on your TV screen more precisely, they can boost the perceived contrast on your TV.Ĭheck out this fascinating article on How-To Geek for the nitty-gritty on how this illusion works. How bias lighting boosts your TV’s contrast